CULTURE . THOUGHT . MISCHIEF
An Angel Walks Into a Pub… and Falls: Sculptor Rufus Martin on Humanity
While people can’t stop time, sculptors have the rare gift of capturing a moment – something which sculptor Rufus Martin is both joyfully, and painfully, aware of… KEEP READING
LOST ART used to be called LONDNR.
Founded by Nina-Sophia Miralles in 2015, LOST ART is a print and digital magazine that hopes to be a pitcher of cold water on our tepid little world – a bracing tonic that will rouse you from the spell cast by colourless content.
We publish trustworthy stories written by clever humans and we host parties and profound cultural talks (see events for more info).
Our independence is important to us; we don’t kow-tow to anyone’s agenda. Instead of joining various media feeding frenzies, we are concerned with disappearing traditions, articles of common sense, joyous indulgence, and other tangible and intangible lost arts.
Read more on our ABOUT.
recommended reading
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Small Revolutions: Solidarity & Sound Systems in Southall
Outside of West London, Southall has a history and culture of dub collectives and solidarity that’s relatively unknown…
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Rebel Yell! Are You Joining the Reader’s Resistance?
‘People are constantly returning to what’s handmade and hand-drawn. There’s an almost religious shame about being online all the time, and that sells books...’
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‘Summoning Up the Silver’: Can You Really Magic Money Out of Thin Air?
If spiritual practitioners can truly do magic, why do they need to work at all?
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Rice wine and pizza? How KANPAI brews Japanese sake for British tables
Whereas traditional sake matches Japanese dishes, the sake KANPAI brews in London can be served with spicy curry or a Sunday roast…
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‘It’s Like a Gateway Drug’: How Prague's Signal Festival Transforms Digital Art
Heading to Prague’s Signal Festival feels like bunking off school. Instead of VIP passes and snobby security, it’s inherently accessible…
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‘A Very Intimate Procedure’: Åsa Johannesson’s Queer Lens in Photography
Åsa Johannesson’s bid to give her sitters a voice allows them an empowerment denied by even the most majestic of portraits…
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‘People are constantly returning to what’s handmade and hand-drawn. There’s an almost religious shame about being online all the time, and that sells books...’